赵又廷和吴慷仁都是中国壹心娱乐旗下艺人。
赵又廷和吴慷仁都是中国壹心娱乐旗下艺人。

China's Film and TV Production Drops by 70% — Top Agent: Signed but Can't Start Shooting

Published at Aug 22, 2026 02:27 pm
The winter chill in China's film and TV industry seems far from thawing. Previously, Zhao Youting mentioned in an interview that he only received 10 script offers in the first half of the year, leaving a very long idle period. His agency, "Easy Entertainment" chairman Yang Tianzhen, confirmed the situation on her own podcast program "Naive or Not" when speaking with her artist Song Jia. She revealed, many actors are signed but filming cannot commence, helplessly saying, "Many actors simply have no work." Easy Entertainment is also the Chinese agency for Wu Kangren and Chen Haosen, making their job opportunities an area of particular curiosity.

杨天真(左)和宋佳谈到影视寒冬窘境。

On her podcast "Naive or Not," Yang Tianzhen recently talked with her agency's actress Song Jia, exposing the current harsh "cold winter" state of the mainland film and TV industry. She helplessly revealed the facts: "Now, since many actors have no work, our drama start-rate this year is very low, reportedly only 30% of last year's."

She said bluntly that many projects have already signed contracts with actors, but are ultimately unable to start production because investors or platforms have withdrawn. "Now it's like the whole landscape is gone."

Liu Yifei Hasn't Filmed in Over 900 Days — Industry Insiders List 3 Main Reasons

刘亦菲已经超过900天没戏拍。
Industry workers' gaps between jobs are growing longer, with Liu Yifei reportedly not having joined a new project in over 900 days. In the first half of this year, the weekly average number of drama crews filming in Hengdian dropped by 24.84%, with studio vacancy rates reaching 78%. The former "Oriental Hollywood" is no longer what it once was.

Industry insiders believe that the "film and TV winter" is mainly caused by three factors: AI has greatly reduced the cost of micro-short dramas, compressing job opportunities for grassroots workers; audiences are no longer blindly chasing after traffic-driven celebrities, and the market has shifted focus to content and quality; furthermore, film and TV capital is retreating, with established companies like Huayi Brothers and Bona Film Group continuing to incur losses, while the financing model of "big IP + traffic stars" is gradually failing.

The era that once relied on traffic and capital to prop up the market is slowly becoming a thing of the past.

Source: Comprehensive



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联合日报newsroom


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